TENUOUS CIRCUMSTANCE

ARIEL BULLION ECKLUND + JOHN MCLAUGHLIN

ON VIEW: NOVEMBER 17- DECEMBER 23

Join us for an OPEN HOUSE on Saturday, November 18 from 2-5pm to celebrate this final exhibition of 2023! The retail gift shop will also be open - a great way to show your support for Corners Gallery and our arts programming throughout the year.

The Weight I Carry, 18” x 5” x 2”, black porcelain + thread, 2023

ABOUT ARIEL BULLION ECKLUND

Ariel Bullion Ecklund is a multi-disciplinary artist working in ceramics, photography and works on paper. Ariel's work is centered around the human experience and is inspired by the work of Maria Lai, Agnes Martin and Lenore Tawney. She holds a Master’s in Museum Studies and a BFA in Photography, both from Syracuse University. For the past 14 years, she has been the Curator/Owner of Corners Gallery in Ithaca, NY.

ARTIST’S STATEMENT:

A recent stream of conscious thread of writing describes the intention in my work:

Paper. Blank paper. Blank pages. A story. An unwritten story.

Love notes. Love letters. A pile of letters.

Lines. Read between the lines. Lines on paper. Stay between the lines.

Keeping it tidy. Tied together. Try to keep it all together. Keeping it all together.

Absence. Presence. Strong. Fragile.

Breathe. Breathe in. Breathe out. Constrict. Lifelines. Bloodlines.

Sewing. Repairing. Fixing. Mending. Stitching. Stitches. Wounds.

Woman’s work. Women’s work. Women work. A woman works.

Loose ends. Lost ends. Where is the end? Is the end the beginning?

Outer space. Inner space. Positive space. Negative space. In between.


Mood Swings, 11” x 18” x 1”, stoneware, paint, linen thread + wax, 2023


"My painting and drawing process is a delicate balance of skill and intuition. A fluctuation of control and careful planning, along with letting go, allowing for surprises .." - John McLaughlin

Sound Mind, 11” x 14”, pencil on paper, 2023

ABOUT JOHN MCLAUGHLIN:

John McLaughlin is an entirely self taught artist living and working in Michigan. He works intuitively and playfully, incorporating detailed drawings, layers of paint and collaged elements on both canvas and paper. John’s work is reminiscent of the paintings of Cy Twombly, sculptures of Alexander Calder, and the drawings of Richard Tuttle.

ARTIST'S STATEMENT:

My paintings and drawings are part of my own lineage of abstraction that has evolved over some twenty five years.  My work has always arisen from an earnest search for resolution in a range of gestures, movements and erasures. The appearance and meaning of the resolution has developed in the meandering progression of the creative process. I continue my investigation into the possibilities of the accidental along with the more deliberate forms and lines in both nature and the man-made world. The labors are personal, but also come from a place of acutely studied history of art, design and music.  Similar to a musical composition, I slowly create my paintings by building on and modifying motifs applied in previous layers. I embrace improvisational gestures and incidents allowing some of the previous marks to show in a palimpsest manner. Among this rich layering are fits and starts of lines, doodles and sketches. This action occurs in so many layers, that some images are barely perceivable, giving insight into my thought process and leaves the viewer searching for more clues. On the top layer are hazy spaces of the paintings hard-lined, organic shapes of color and line drawings that conjure a quirky aggregate of the ancient, scientific and industrial hieroglyphs. The paintings are a steady, engrossing read that gradually reveal their history and resolve. My art work on canvas involves the unintended or accidental effect of a mark or gesture drawn over a period of time and many paint layers. This allows the viewer to form their own conclusion based on each individual imagination and past experience.

Crayon #11, 11” x 14”, mixed media on paper, 2023

Suburbia, 30” x 40”, mixed media on canvas, 2023

Scraping By, 24” x 30”, mixed media on canvas